With a background in fine art, I had been accustomed to working in a 2D format. Architecture school allowed me to explore 3D perspectives.
Share your sketches with us on Instagram. Tag us @architectsjournal and use #sketchbook
With a background in fine art, I had been accustomed to working in a 2D format. Architecture school allowed me to explore 3D perspectives.
Share your sketches with us on Instagram. Tag us @architectsjournal and use #sketchbook
In 2020, I contributed as a fellow to the British Pavilion at the Venice Biennale, which had the theme ‘How we Live Together’. The sketches I submitted focused on façades and interiors in perspective or isometric views.
Showing how different people can and do live together is becoming ever more important, especially at a time when we face housing insecurity against a fractured debate over heritage and identity.
Through sketching buildings or landscapes I have travelled to, I open doors to explore new and varied spatial experiences.
An aim of mine is to continue to celebrate diversity in architecture by representing unseen narratives – for instance how migrant communities find cultural identity in intimate spaces.
My passion for travelling is driven by my curiosity about architecture around the world. Drawings of two-dimensional façades can quickly reveal complex nuances.
I sketch to reflect how different people claim space for themselves and how they feel a sense of belonging.
I use a combination of two and three-dimensional sketching formats to explore different spatial environments.